| |
Title |
Author |
Publisher |
 |
The Creative Process in Music from Mozart to Kurtág |
William Kinderman |
University of Illinois Press, 2012 |
 |
The Sense of Sound: Musical Meaning in France, 1260-1330 |
Emma Dillon |
Oxford University Press, 2012 |
 |
Stefan Wolpe and the Avant-Garde Diaspora |
Brigid Cohen |
Cambridge University Press, 2012 |
 |
The Violin: A Social History of the World's Most Versatile Instrument |
David Schoenbaum |
W. W. Norton, 2013 |
 |
Modernism and the Cult of Mountains: Music, Opera, Cinema |
Christopher Morris |
Ashgate, 2012 |
 |
Popular Music and the Myths of Madness |
Nicola Spelman |
Ashgate, 2012 |
 |
Dameronia: The Life and Music of Tadd Dameron |
Paul Combs |
University of Michigan Press, 2012 |
 |
A History of Opera |
Carolyn Abbate and Roger Parker |
W. W. Norton, 2012 |
 |
Creole Trombone: Kid Ory and the Early Years of Jazz |
John McCusker |
University Press of Mississippi, 2012 |
 |
J.S. Bach at His Royal Instrument: Essays on His Organ Works |
Russell Stinson |
Oxford University Press, 2012 |
 |
Why Jazz Happened |
Marc Myers |
University of California Press, 2013 |
 |
Toscanini in Britain |
Christopher Dyment |
Boydell Press, 2012 |
 |
The Sorcerer of Bayreuth: Richard Wagner, His Work and His World |
Barry Millington |
Oxford University Press, 2012 |
 |
Robert Saxton: Caritas |
Wyndham Thomas |
Ashgate, 2012 |
 |
You'll Know when you get there: Herbie Hancock and The Mwandishi Band |
Bob Gluck |
University of Chicago Press, 2012 |
 |
Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni, and Così fan tutte |
Charles Ford |
Ashgate, 2012 |