| |
Title |
Author |
Publisher |
 |
Language and Music as Cognitive Systems |
Edited by Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins, and Ian Cross |
Oxford University Press, 2012 |
 |
Chamber Music: An Essential History |
Mark A. Radice |
University of Michigan Press, 2012 |
 |
Beethoven in America |
Michael Broyles |
Indiana University Press, 2011 |
 |
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity |
Edited by Deniz Peters, Gerhard Eckel, and Andreas Dorschel |
Routledge, 2012 |
 |
Hits: Philosophy in the Jukebox |
Peter Szendy; translated by Will Bishop |
Fordham University Press, 2012 |
 |
Histories of Heinrich Schütz |
Bettina Varwig |
Cambridge University Press, 2011 |
 |
Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation |
David Kaminsky |
Lexington Books, 2012 |
 |
Audacious Euphony: Chromaticism and the Triad's Second Nature |
Richard Cohn |
Oxford University Press, 2012 |
 |
Byzantine Neumes: A New Introduction to the Middle Byzantine Musical Notation |
Christian Troelsgård |
Museum Tusculanum Press, 2011 |
 |
György Ligeti: Of Foreign Lands and Strange Sounds |
Edited by Louise Duchesneau and Wolfgang Marx |
Boydell Press, 2011 |
 |
Dissenting Praise: Religious Dissent and the Hymn in England and Wales |
Edited by Isabel Rivers and David L. Wykes |
Oxford University Press, 2011 |
 |
Gunther Schuller: A Life in Pursuit of Music and Beauty |
Gunther Schuller |
University of Rochester Press, 2011 |
 |
Dylan at Play |
Edited by Nick Smart and Nina Goss |
Cambridge Scholars, 2011 |
 |
Technology and the Gendering of Music Education |
Victoria Armstrong |
Ashgate, 2011 |
 |
Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries |
Peter Conrad |
Thames & Hudson, 2011 |
 |
Everybody Loves Our Town: An Oral History of Grunge |
Mark Yarm |
Crown Archetype, 2011 |
 |
Im Speigel der Zeit: die Komponistin Unsuk Chin |
Edited by Stefan Drees |
Schott, 2011 |
 |
Hans von Bülow: A Life for Music |
Kenneth Birkin |
Cambridge University Press, 2011 |
 |
Banding Together: How Communities Create Genres in Popular Music |
Jennifer C. Lena |
Princeton University Press, 2012 |
 |
Cyclo. id. vol. 01 |
Ryoki Ikeda and Carsten Nicolai |
Gestalten, 2011 |
 |
The Historiography of Music in Global Perspective |
Edited by Sam Mirelman |
Gorgias Press, 2010 |
 |
Spinoza's Web: for Clarinet in B-flat, Horn in F and Violin (1996) |
Osmo Tapio Räihälä |
Uusinta Kustannusosakeyhtiö, 2010 |
 |
Cinnabar: Double Concerto for Violin and Trumpet, Ensemble, Music Boxes and Conductor |
Rebecca Saunders |
Peters, 1999 |
 |
Danse du Diable: pour flûte seule, 2009 |
Sami Junnonen |
Uusinta Kustannusosakeyhtiö, 2010 |
 |
Chickentalk: for panpipes, marimba, guitar and cello |
Chiel Meijering |
Donemus, 2010 |
 |
Jazzwerkstatt: 3 Stücke für Klavier, 2 Stücke für Ensemble |
Hermann Keller |
Edition Juliane Klein, 2010 |
 |
A Postcard and a Letter: for Piano |
Nicola LeFanu |
Edition Peters, 2010 |
 |
Les racines sonores: for Clarinet solo |
Aleksandër Peçi |
Aelfior Editions, 2008 |
 |
Ballet de la Prosperité des Armes de la France (1641) |
Anonymous; edited by Gerard Geay et al. |
Éditions du Centre de Musique Baroque de Versailles, 2009 |
 |
Insectes: 4 pièces pour flûte piccolo solo |
Jean-Michel Damase |
Billaudot, 2011 |
 |
A Lover in Winter: Four songs for countertenor and piano, 1989 |
Thomas Adès |
Faber Music, 2011 |
 |
Arias for Vincenzo Calvesi, Mozart's First Ferrando |
Edited by Dorothea Link |
A-R Editions, 2011 |
 |
Ghost Ranch: for orchestra (2006) |
Michael Daugherty |
Boosey & Hawkes, 2011 |
 |
The Moon over Westminster Cathedral: (No discord, no. 3): for piano, 2003 |
Judith Bingham |
Edition Peters, 2007 |
 |
Konzert für Alt-Saxophon und Orchester, GeWV 153 |
Harald Genzmer |
Ries & Erler, 2011 |
 |
Fachwerk: für Bajan, Schlagzeug und Streichorchester |
Sofia Gubaidulina |
Sikorski, 2011 |
 |
La Stravinskyenne: Marimba solo, 1996 |
Gilbert Amy |
Editions Dhalmann, 2010 |
 |
Three Heavens and Hells: Soloists and SSAA, A Cappella |
Meredith Monk |
Meredith Monk Music; Boosey & Hawkes, 2011 |
 |
Wu: for Sheng, Clarinet and Viola |
Klaus Hinrich Stahmer |
Verlag Neue Musik, 2011 |
 |
"Song and Dance": Duo for Saxophones and Percussion |
Shulamit Ran |
Theodore Presser, 2009 |
 |
String Quartet no. 12, 2011 |
David Matthews |
Faber Music, 2011 |
 |
Palomar: (nel giardino fantastico): Concerto per flauto e orchestra |
Kai Nieminen |
Fennica Gehrman, 2009 |
 |
Das hässliche Entlein: Märchenoper: in sechs Szenen. Klavierauszug |
Vivienne Olive; libretto by Doris Dörrie |
Furore-Edition, 2010 |
 |
Chinese Mother Goose Rhymes: music based upon Chinese themes |
Bainbridge Crist; translated by Isaac Taylor Headland |
C. Fischer, 1917 |
 |
Trois sonatines pour piano, Op. 12 |
Vissarion Chébaline |
Editions du Chant du Monde, 2009 |
 |
Arias for Soprano: 10 Arias from 7 Operas |
Gian Carlo Menotti |
G. Schirmer, 2008 |
 |
Son of Chamber Symphony: for Chamber Orchestra |
John Adams |
Boosey & Hawkes, 2011 |
HOLLIS Classic