Digital Medieval Manuscripts at Houghton Library
Bibliography for Harvard University, Houghton Library,
MS Typ 79
This bibliography was compiled by Aden Kumler, Julia Schlozman and Nadia Marx.
Please be advised that some links may require Harvard ID and PIN.
HOLLIS Record (Link) and Digital Images (Link)
Bernard Berenson, “Un Antiphonaire avec miniatures par Lippo Vanni,” Gazette des Beaux-Arts, IX (1924), p. 257-85.
HOLLIS
Raimond van Marle, The Development of the Italian Schools of Painting, V. The Hague: M. Nijhoff, 1925. MS cited p. 460.
HOLLIS
C. Weigelt, “Lippo Vanni,” in Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, Ulrich Thieme and Felix Becker, XXIII. Leipzig: E.A. Seeman, 1929. MS cited p. 277.
HOLLIS
Bernard Berenson, “An Antiphonary with Miniatures by Lippo Vanni,” in Studies in Medieval Painting. New Haven: Yale University Press, 1930, p. 39-61. MS illustrated figs. 28, 30, 31, 33-36, 39-45.
English translation of Gazette des Beaux-Arts article cited above. HOLLIS
The American Magazine of Art, XXIII, 1931. MS cited p. 137.
HOLLIS
Roger Fry, “Mr. Berenson on Medieval Painting,” The Burlington Magazine for Connoisseurs, LVIII (May, 1931), p. 245-246. MS cited p. 245.
Full text available online (Link). HOLLIS
M. E. G[ilman], “Sienese Antiphonary,” Bulletin of the Fogg Art Museum, I (1932), p. 29-32. MS reproduced figs. 1-3.
HOLLIS
Raimond van Marle, Le scuole della pittura italiana, II. The Hague: Martinus Nijhoff, 1934. MS cited p. 488.
HOLLIS
Seymour de Ricci, with the assistance of W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada, I. New York: H. W. Wilson, 1935-1940. (Reprint 1961). MS cited p. 1050 as 1928.117
Brief description. HOLLIS
Perry T. Rathbone, “A Page from an Anthiphonary by Lippo Vanni,” Bulletin of the Detroit Institute of Arts of the City of Detroit, XV (1935). MS cited p. 30.
HOLLIS
Erhard Aeschlimann and Paolo d’Ancona, Dictionnaire des Miniaturistes du Moyen Age et de la Renaissance dans les différentes contrées de l’Europe. Milan: U. Hoepli, 1949. MS cited p. 132.
HOLLIS
Walters Art Gallery (Baltimore, Md.) and Dorothy Miner, Illuminated Books of the Middle Ages and Renaissance: An Exhibition held at the Baltimore Museum of Art, January 27–March 13. Baltimore: Walters Art Gallery, 1949. MS cited p. 60, n. 163, pl. LXIV
HOLLIS
Los Angeles County Museum, Medieval and Renaissance Illuminated Manuscripts; A Loan Exhibition, November 25, 1953 - January 9, 1954. Los Angeles, 1953. MS cited p. 29, n. 90.
Mario Salmi, Italian Miniatures, trans. Elisabeth Mann Borgese. New York: Abrams, 1954. MS cited p. 30, fig. 37.
HOLLIS
Harvard College Library, Illuminated & Calligraphic Manuscripts: An Exhibition held at the Fogg Art Museum & Houghton Library, February 14–April 1, 1955. Cambridge, Mass.: n.p., 1955. MS cited p. 18, n. 45, pl. 24.
HOLLIS
W.H. Bond and C.U. Faye, Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York: Bibliographical Society of America, 1962. MS cited p. 257.
HOLLIS
H. W. van Os, “A Choir-Book by Lippo Vanni,” Simiolus, II (1967-68), p. 117-133. MS cited p. 118, 124-27, 130, 133, n. 29, figs. 4, 10,12, 14, 16.
Full text available online (Link) HOLLIS
Bernard Berenson, Italian Pictures of the Renaissance: A List of the Principal Artists and Their Works with an Index of Places. Central Italian and North Italian Schools, I. London: Phaidon, 1968. MS cited p. 442.
HOLLIS
H. W. van Os, Marias Demut und Verherrlichung in der sienesischen Malerei 1300-1450. 's-Gravenhage: Ministerie van Cultuur, Recreatie en Maatschappelijk Werk, 1969. MS cited p. 225, n. 90, 227, n. 125, Abb. 90 & 125.
HOLLIS
H. W. van Os, “Lippo Vanni as a Miniaturist,” Simiolus, VII (1974), p. 67-90. MS cited p. 75, 81, 86, 88, figs. 21 & 22.
Full text available online (Link) HOLLIS
National Gallery of Art (U.S.), Carl Adam Johan Nordenfalk, Lessing J. Rosenwald, and Edith Goodkind Rosenwald, Medieval & Renaissance Miniatures from the National Gallery of Art. [Washington]: The Gallery, 1975. MS cited p. 42.
HOLLIS
H. B. J. Maginnis, “The Literature of Sienese Trecento Painting: 1945-1975,” Zeitschrift für Kunstgeschichte, XL (1977), p. 276-309. MS cited p. 295.
Full text available online (Link) HOLLIS
Roger S. Wieck, Late Medieval and Renaissance Illuminated Manuscripts, 1350–1525, in the Houghton Library. Cambridge: Department of Printing and Graphic Arts, Harvard College Library, 1983. MS cited p. 60, 122, n. 29.
HOLLIS
Sharon Dale, Lippo Vanni: Style and Iconography. Ph.D thesis, Rutgers University, 1984.
HOLLIS
Wilma Fitzgerald, “Ocelli nominum: Names and Shelf Marks of Famous/Familiar Manuscripts (II),” Mediaeval Studies 48 (1986), p. 397–421.
HOLLIS
James Tanis and Jennifer A. Thompson, Leaves of Gold: Manuscript Illumination from Philadelphia Collections. Philadelphia: Philadelphia Museum of Art, 2001. MS cited p. 172.
HOLLIS
Ada Labriola, Cristina De Benedictis, and Gaudenz Freuler, La miniatura senese 1270-1420. Milano: Skira, 2002. MS cited pl. XCIII-XCIV, fig. 317-322, p. 324.
HOLLIS
Digital Scriptorium. Columbia University Libraries. (Online) Accessed 24 May 2010. Internet Link
A searchable database of manuscripts from various collections. Search or browse under shelfmark MS Typ 0079. Contains a basic description of the physical layout and contents of the manuscript. Link
